第39章

Smoking he only took to permanently of late years, though on his Pampas rides he learned to smoke with the Gauchos, and I have heard him speak of the great comfort of a cup of mate and a cigarette when he halted after a long ride and was unable to get food for some time.

The reading aloud often sent him to sleep, and he used to regret losing parts of a novel, for my mother went steadily on lest the cessation of the sound might wake him. He came down at four o'clock to dress for his walk, and he was so regular that one might be quite certain it was within a few minutes of four when his descending steps were heard.

>From about half-past four to half-past five he worked; then he came to the drawing-room, and was idle till it was time (about six) to go up for another rest with novel-reading and a cigarette.

Latterly he gave up late dinner, and had a simple tea at half-past seven (while we had dinner), with an egg or a small piece of meat. After dinner he never stayed in the room, and used to apologise by saying he was an old woman, who must be allowed to leave with the ladies. This was one of the many signs and results of his constant weakness and ill-health. Half an hour more or less conversation would make to him the difference of a sleepless night, and of the loss perhaps of half the next day's work.

After dinner he played backgammon with my mother, two games being played every night; for many years a score of the games which each won was kept, and in this score he took the greatest interest. He became extremely animated over these games, bitterly lamenting his bad luck and exploding with exaggerated mock-anger at my mother's good fortune.

After backgammon he read some scientific book to himself, either in the drawing-room, or, if much talking was going on, in the study.

In the evening, that is, after he had read as much as his strength would allow, and before the reading aloud began, he would often lie on the sofa and listen to my mother playing the piano. He had not a good ear, yet in spite of this he had a true love of fine music. He used to lament that his enjoyment of music had become dulled with age, yet within my recollection, his love of a good tune was strong. I never heard him hum more than one tune, the Welsh song "Ar hyd y nos," which he went through correctly; he used also, I believe, to hum a little Otaheitan song. From his want of ear he was unable to recognize a tune when he heard it again, but he remained constant to what he liked, and would often say, when an old favourite was played, "That's a fine thing; what is it?" He liked especially parts of Beethoven's symphonies, and bits of Handel. He made a little list of all the pieces which he especially liked among those which my mother played--giving in a few words the impression that each one made on him--but these notes are unfortunately lost. He was sensitive to differences in style, and enjoyed the late Mrs. Vernon Lushington's playing intensely, and in June 1881, when Hans Richter paid a visit at Down, he was roused to strong enthusiasm by his magnificent performance on the piano. He much enjoyed good singing, and was moved almost to tears by grand or pathetic songs.

His niece Lady Farrer's singing of Sullivan's "Will he come" was a never-failing enjoyment to him. He was humble in the extreme about his own taste, and correspondingly pleased when he found that others agreed with him.

He became much tired in the evenings, especially of late years, when he left the drawing-room about ten, going to bed at half-past ten. His nights were generally bad, and he often lay awake or sat up in bed for hours, suffering much discomfort. He was troubled at night by the activity of his thoughts, and would become exhausted by his mind working at some problem which he would willingly have dismissed. At night, too, anything which had vexed or troubled him in the day would haunt him, and I think it was then that he suffered if he had not answered some troublesome person's letter.

The regular readings, which I have mentioned, continued for so many years, enabled him to get through a great deal of lighter kinds of literature. He was extremely fond of novels, and I remember well the way in which he would anticipate the pleasure of having a novel read to him, as he lay down, or lighted his cigarette. He took a vivid interest both in plot and characters, and would on no account know beforehand, how a story finished;he considered looking at the end of a novel as a feminine vice. He could not enjoy any story with a tragical end, for this reason he did not keenly appreciate George Eliot, though he often spoke warmly in praise of 'Silas Marner.' Walter Scott, Miss Austen, and Mrs. Gaskell, were read and re-read till they could be read no more. He had two or three books in hand at the same time--a novel and perhaps a biography and a book of travels. He did not often read out-of-the-way or old standard books, but generally kept to the books of the day obtained from a circulating library.

I do not think that his literary tastes and opinions were on a level with the rest of his mind. He himself, though he was clear as to what he thought good, considered that in matters of literary taste, he was quite outside the pale, and often spoke of what those within it liked or disliked, as if they formed a class to which he had no claim to belong.

In all matters of art he was inclined to laugh at professed critics, and say that their opinions were formed by fashion. Thus in painting, he would say how in his day every one admired masters who are now neglected. His love of pictures as a young man is almost a proof that he must have had an appreciation of a portrait as a work of art, not as a likeness. Yet he often talked laughingly of the small worth of portraits, and said that a photograph was worth any number of pictures, as if he were blind to the artistic quality in a painted portrait. But this was generally said in his attempts to persuade us to give up the idea of having his portrait painted, an operation very irksome to him.