第104章 CHAPTER XXIII - THE CITY OF THE ABSENT(4)

From the hush of these places, it is congenial to pass into the hushed resorts of business. Down the lanes I like to see the carts and waggons huddled together in repose, the cranes idle, and the warehouses shut. Pausing in the alleys behind the closed Banks of mighty Lombard-street, it gives one as good as a rich feeling to think of the broad counters with a rim along the edge, made for telling money out on, the scales for weighing precious metals, the ponderous ledgers, and, above all, the bright copper shovels for shovelling gold. When I draw money, it never seems so much money as when it is shovelled at me out of a bright copper shovel. I like to say, 'In gold,' and to see seven pounds musically pouring out of the shovel, like seventy; the Bank appearing to remark to me - I italicise APPEARING - 'if you want more of this yellow earth, we keep it in barrows at your service.' To think of the banker's clerk with his deft finger turning the crisp edges of the Hundred-Pound Notes he has taken in a fat roll out of a drawer, is again to hear the rustling of that delicious south-cash wind. 'How will you have it?' I once heard this usual question asked at a Bank Counter of an elderly female, habited in mourning and steeped in simplicity, who answered, open-eyed, crook-fingered, laughing with expectation, 'Anyhow!' Calling these things to mind as I stroll among the Banks, I wonder whether the other solitary Sunday man I pass, has designs upon the Banks. For the interest and mystery of the matter, I almost hope he may have, and that his confederate may be at this moment taking impressions of the keys of the iron closets in wax, and that a delightful robbery may be in course of transaction. About College-hill, Mark-lane, and so on towards the Tower, and Dockward, the deserted wine-merchants' cellars are fine subjects for consideration; but the deserted money-cellars of the Bankers, and their plate-cellars, and their jewel-cellars, what subterranean regions of the Wonderful Lamp are these! And again: possibly some shoeless boy in rags, passed through this street yesterday, for whom it is reserved to be a Banker in the fulness of time, and to be surpassing rich. Such reverses have been, since the days of Whittington; and were, long before. I want to know whether the boy has any foreglittering of that glittering fortune now, when he treads these stones, hungry. Much as I also want to know whether the next man to be hanged at Newgate yonder, had any suspicion upon him that he was moving steadily towards that fate, when he talked so much about the last man who paid the same great debt at the same small Debtors' Door.

Where are all the people who on busy working-days pervade these scenes? The locomotive banker's clerk, who carries a black portfolio chained to him by a chain of steel, where is he? Does he go to bed with his chain on - to church with his chain on - or does he lay it by? And if he lays it by, what becomes of his portfolio when he is unchained for a holiday? The wastepaper baskets of these closed counting-houses would let me into many hints of business matters if I had the exploration of them; and what secrets of the heart should I discover on the 'pads' of the young clerks - the sheets of cartridge-paper and blotting-paper interposed between their writing and their desks! Pads are taken into confidence on the tenderest occasions, and oftentimes when I have made a business visit, and have sent in my name from the outer office, have I had it forced on my discursive notice that the officiating young gentleman has over and over again inscribed AMELIA, in ink of various dates, on corners of his pad. Indeed, the pad may be regarded as the legitimate modern successor of the old forest-tree: whereon these young knights (having no attainable forest nearer than Epping) engrave the names of their mistresses. After all, it is a more satisfactory process than carving, and can be oftener repeated. So these courts in their Sunday rest are courts of Love Omnipotent (I rejoice to bethink myself), dry as they look. And here is Garraway's, bolted and shuttered hard and fast! It is possible to imagine the man who cuts the sandwiches, on his back in a hayfield; it is possible to imagine his desk, like the desk of a clerk at church, without him; but imagination is unable to pursue the men who wait at Garraway's all the week for the men who never come. When they are forcibly put out of Garraway's on Saturday night - which they must be, for they never would go out of their own accord - where do they vanish until Monday morning? On the first Sunday that I ever strayed here, I expected to find them hovering about these lanes, like restless ghosts, and trying to peep into Garraway's through chinks in the shutters, if not endeavouring to turn the lock of the door with false keys, picks, and screw-drivers. But the wonder is, that they go clean away!

And now I think of it, the wonder is, that every working-day pervader of these scenes goes clean away. The man who sells the dogs' collars and the little toy coal-scuttles, feels under as great an obligation to go afar off, as Glyn and Co., or Smith, Payne, and Smith. There is an old monastery-crypt under Garraway's (I have been in it among the port wine), and perhaps Garraway's, taking pity on the mouldy men who wait in its public-room all their lives, gives them cool house-room down there over Sundays; but the catacombs of Paris would not be large enough to hold the rest of the missing. This characteristic of London City greatly helps its being the quaint place it is in the weekly pause of business, and greatly helps my Sunday sensation in it of being the Last Man. In my solitude, the ticket-porters being all gone with the rest, I venture to breathe to the quiet bricks and stones my confidential wonderment why a ticket-porter, who never does any work with his hands, is bound to wear a white apron, and why a great Ecclesiastical Dignitary, who never does any work with his hands either, is equally bound to wear a black one.